Crikey




Did you know that I knew Steve Irwin? He was a neighbour of my best primary school friend. We’d occasionally play at the creek on his farm.
In 1970 that four acres became the ‘
Turing left off ‘
I open the map - we need a plan to cover the twenty-eight hectare zoo.
“How about we start on the ‘Rippa Red” trail, and then onto the ‘Billabong Brown’?”
The first exhibit on the Red trail is the snakes. A darkened building holds rows of large, glass display cases – in each one a snake or two are lying around doing snake things. Each case also has a description of the snake in Steve’s breathless style:
“This little beauty’s gorgeous green colour helps her stay hidden as she moves amongst the tree’s leaves …”
Back outside, we walk the trail towards the rainforest aviary. Two zoo staff are standing on the path looking intently at the short, round animal wearing a chest harness on the end of their leash. They turn to us.
“You can pet him if you like.”
I squat down and rub the wombat’s back. He looks a little indignant then goes back to scratching in the garden. The workers give him a tug but he’s not interested in moving. He has the physique and temperament of a furry bulldozer.
We’re looking for the koala enclosure.
“Wouldn’t it be nice if there were signs like this in the wild,” Jim says. The tree we’re standing next to has a notice: “There’s a koala in this tree.”
Down the trail, a small shelter has a half dozen koala perches, each with a koala and an ample garnish of gum leaves. Each koala takes its turn to be the object of public affection. I climb the two steps so I can pet the designated animal. The other koalas have a different sign: “I’m resting.”
I’m beginning to understand the term ‘animal
The “Crocoseum’ is a 5000 person amphitheatre. Animal shows are held here twice a day. The production begins with footage of Steve doing typical Steve stuff. The live show involves elephants, snakes, birds and of course crocodiles. It also involves Australian humour.
“Why do more men than women get bitten by snakes?”
“Because women are smarter than men?”
“No – because snakes don’t go into the kitchen!”
The show pushes an educational and environmental message – with some pizzazz. The climax of the show is the crocodile feeding. Today the chosen croc is ‘Stormin’ Norman’. The arena has been built with a curved pool as its focal point. This pool is connected to the crocodile enclosures by a secure canal – nicknamed by the staff as ‘the tunnel of love’. The croc is lured via this canal into the main pool.
I admit it – I’m sucked into the spectacle. The handler stamps his feet on the cement pool surrounds to bring the croc close. The food dangles and
Leaving the Crocoseum, I stop cold. I’m looking at a wall about six foot high and a hundred feet long. This wall is totally covered on both sides with khaki shirts, plastic crocodiles, Australian flags, photos, paintings, carvings – all with condolence messages for Steve’s family and the zoo. It has been twenty months since his death.
With over a million visitors each year, the zoo combines its environmental message with a talent for relieving tourists of their money. We watch a kid feeding a kangaroo.
“You can buy Roo Food at the Dingo Diner,” I tell Jim.
For an extra fee you can go into the actual tiger enclosure, feed the Galapagos turtles, or hang out with the elephants. You can even have your photo taken with Steve courtesy of the computer lab.
After our lunch in the ‘feeding frenzy’ food court, we wander the trails of ‘Crikey Kha-Ki’ – the Croc area. They may as well be stuffed for all the action we see, but it’s morbidly fascinating to see them lying in the sun with their massive jaws open.
We manage to hit each of the seven coloured walks – our last being “Outback Orange’. The trail winds through beautifully tended native gardens. Not only isn’t there any litter – but even the koala poo is regularly swept-up by smiling staff.
Again I think of
No, this ain’t Disney – this is the Australia Zoo.





























